This case study delves into the realm of liminality and rites of passage within Alan Clarke's seminal 1974 film, Penda's Fen.
Beginning with a contextual exploration of the film's production, it provides a comprehensive overview of the circumstances that shaped its creation. Drawing from an array of scholarly literature, the study identifies and engages with key theorists in the fields of liminality and rites of passage, skilfully applying their insights to the intricate tapestry of Penda's Fen. While the study maintains its central focus on liminality and rites of passage, it navigates an expansive landscape of interdisciplinary themes, encompassing facets such as Nationality, Sexuality, Psychoanalysis, Psychogeography, and Otherly Pastoralism.
Through this multifaceted approach, the case study offers a nuanced and comprehensive analysis, shedding light on the film's depth and resonance within the broader context of cinematic and cultural exploration.